Surrender to the Unknown. Follow your Desire. Play. Pleasure. Sex. That's The Orgasmic Life.
Showing posts with label Queen. Show all posts
Showing posts with label Queen. Show all posts
Thursday, April 24, 2014
NEW VIDEO! The Archetypes of "From 6 to 9 and Beyond: Widening the Lens of Feminine Eroticism"
"From 6 to 9 and Beyond: Widening the Lens of Feminine Eroticism"
A New Book by Candice Holdorf
http://www.from6to9andbeyond.com
Filmed by Find Your Edge Media
http://www.findyouredgemedia.com
Wednesday, March 26, 2014
I’m Married, But I Don’t Believe in “The One.”
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| Photo: GettysGirl4260 |
I’ve never believed in “The One.”
Even as a Disney-obsessed kid, collecting every VHS cartoon I could find, I still didn’t believe in “The One.”
Even today, as I sit in my San Francisco apartment married to a man I convinced is my soul mate, I still don’t believe in “The One.”
I’m not a total cynic nor do I think that love always leads to heartbreak and that relationship is ultimately the death of sex and personal freedom and your own vitality.
I think that the notion of “The One” gets wrapped up in the erroneous belief that as soon as we find someone who loves us, all of our problems get solved and all our needs will always be met and we will never go hungry again.
Dude, if you put that much pressure on anyone, you are destined for disappointment and resentment.
Sometimes, “The One” isn’t just about a romantic relationship. How many times have we said, “If only I had that job/money/workshop/enlightenment/award/fill-in-the-blank-craving, then I would be happy.”
Stop looking for “The One” outside of yourself and recognize that YOU are the one you’ve been waiting for.
When you become the heroine of your own story, you become 100% responsible for your own “happily ever after.” You stop chasing this nebulous thing outside of yourself and being a victim of circumstance.
You also invite freedom, play and growth into your life. We often use “The One” to satisfy some personal insecurity that we aren’t worthy of love unless we have something outside of ourselves to reflect our lovability.
We also search for “The One” because we fear change and view it as a threat to our survival. We hope that “The One” will provide the stability we so desperately crave. Sorry kids, but that’s just not how life works. And thank goodness for that, for it is that static way of living which is the true culprit in the death of sex and personal freedom and your own vitality.
When you realize that “Happily Ever After” can often look like “What the fuck am I doing? Help me! I don’t know. Fuck it,” then you are more willing to accept every moment as an opportunity to enjoy the ride rather than check out of life on the hungry-ghost hunt.
So here’s a poem from my upcoming book dedicated to all the princesses who are slaying their own dragons, saving themselves and choosing to grow up into Warrior-Queens. When you live life as your own “One,” whole and complete, you walk into relationships not looking for Prince Charming, but for a mature man or woman ready to share an adventure yet-to-be written.
Fairy TalesFrom your perspective
It must seem as easy as
Drawing the sword from the stone
Or soaring on a magic carpet
Or spinning straw into goldBut I know myself
Princesses only stay pure
Through obstinate abstinenceSo you’ll find me in the gutter
Cigarette in one hand
Ice cream in the other
And marvel at how easily angels fallBut if you’re brave enough to climb my tower
(And make friends with the sleeping dragon)
Then don’t try to explain me
(Your tongue has better uses)
Strip off your armor
(Women aren’t won with steel)
And succumb to the tumbling embers
From the beast (no longer tame)
As you rouse beauty from her slumber
With a kiss of fairy flameAfter all
(As Rilke says)
Perhaps all the dragons of our lives
Are princesses
Who are only waiting to see us
(Once)
Beautiful and Brave
View this article on Elephant Journal
Monday, March 3, 2014
Woman: Opening Poem from "From 6 to 9 and Beyond"
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| Photo by Sequoia Emmanuelle |
What is it like to pass through the ritual of childhood and squirm down the birth canal, both birthing and being birthed into an expression of mature femininity? What is it like to release our mothers and become our own parents/gurus/mentors/teachers/midwives? How do all these aspects reveal themselves through our own erotic awakening? How do their shadows show up and unconsciously hijack our lives if we are unwilling to visit the basements of our souls?
These questions circle around me as I put on the finishing touches on the first draft of my book, From 6 to 9 and Beyond: Widening the Lens of Feminine Eroticism. In the book, I share the erotic awakening of six feminine archetypes. And while the stories are fictional, many of the events within them are based on my own journey into Womanhood—a journey that is still unfolding.
The process of writing itself is teaching me more than any workshop I could take. My own life has become a crucible for honest self-reflection and growth. These archetypes grab me by the pussy and demand that if I am going to tell their stories, I better damn well love and integrate them into my own life.
And while six archetypes (virgin, whore, warrior, queen, nun, grandmother) is not enough to capture the magnitude of Woman, it is a step towards widening our perspective on how Womanhood, female sexuality and feminine eroticism can express themselves in our world.
Below is the opening poem from the book. This piece emerged recently as I sat in deep meditation with these women.
Whether you identify as predominately masculine, feminine or gender-neutral (for we have all of it within ourselves), I invite you to investigate this question as you read the piece: Who are you as Woman and how does that show up in your own life?
For when She is loved and accepted, all parts of ourselves have space to heal and shine.
WomanI looked into the mirror today,Focused on the mysteryWaiting patiently behind the ocular aperture;Quieted the voices that told meI should have a smaller waistAnd a smoother face.I asked the question,“Who is Woman?”And awaited the ineffable reply.She first came to me as a dragon’s eye.“Beware the lower depths,”She counseled.I flashed a bravado smileAnd asked again,“Who is Woman?”Then came the hummingbird,Flapping her wingsAt my arrogant back,And cautioned,“Those who ask this questionMust be willing to die.”Steeling my jaw,I did not heed her warning,But demanded once more,“Who.Is.Woman.”A silent scream ripped though my earsAs her thick-bitter tea joinedMy lips in holy prayer.A face, too beautiful to bear,Delicate features contrasting my own,Slashed my vision.Crumbling to my knees, I cried,“No! Please! Spare my life!I will give you anything.”Hoisting me to my feet, She growled,“Wake up, Girl. Do not bow to me.Remember: True Service is not Sycophancy.”The black blood, pooling between my thighs,Now rose above my chest,Flooding my frozen throat.She whispered, “Your hard heartIs still learning to let the love in.Drown the Child and your freedom begins.The men, they are calling,Aching to suckleYour milky breasts.And when they are grown, they will call,Aching for you to suckleTheir milky heads.You can not blame them.You can only love them.As I love you.Surrender.Surrender.It is the easiest thing in the world.It.Is.Woman.”The balm of healing seared,Ice cold, through my heart,And panicked blindness gave way to simple sight.The Virgin appeared before me,Her innocent gaze teaching me howTo see with fresh eyes.Next the Whore,Celebrating her body,A vessel for divine inspiration.Then the Warrior,Bloody blade at her side,Dripping with uncompromising truth.Followed by the Queen,Glittering in gold,Her power unapologetically adorning her throne.Afterwards, the Nun,Prostrated, her twisted fingersSpelling out her memoir of devotion.Finally, Abuelita herself,The Grandmother, wise and wizened,Birthing and destroying all of creation.As the riddle unfolded and the veil lifted,My choked voice gave way to breathAs I inhaled her final words:“Only trust the bearers of lightWho have also fallen in loveWith the dark.”Salty-sweet tears of recognitionSlid down my mottled cheeks,Cleansing my bitter soul,Until I was met,Once more,With my own solemn reflection.I looked into the mirror today,Focused on the mysteryWaiting patiently behind the ocular aperture;Quieted the voices that told meI should have a smaller waistAnd a smoother face.I asked the question,“Who am I?”And what I saw was simple:I am Woman and She is Me.You are Woman and She is You.We are Woman and She is We.
Friday, February 21, 2014
Finished The Queen...finally on to The Nun
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| Photo by Sequoia Emmanuelle; Jewelry by Etoile Jewelry |
I finished the Queen's story last night. What a wild roller coaster that was. I felt like she pulled me up by my lapel and told me to "Grow Up" *several times* during the creation of her story. The fact that my husband and I still love each other, want to be married to each other and enjoy sex together is a testament to our love and the positive learning and growth I experienced during her creation.
The final story I have left to write is the Nun's, which for me is very personal. She is a woman who devotes her erotic energy in service to the divine. God is her lover. This can show up many ways, not just in the celibate renunciates we see in various religious institutions. She the part of ourselves that easily connects with Spirit and uses that orgasm for her creative expression.
Her shadow shows up when she denigrates all physical life and chooses only to chase the spiritual realms. We can see this in severe religious and cultural leaders who warn us to beware the "pleasures of the flesh." We can also see this in anorexics and certain "hippie" people who would rather "breathe in nourishment" than go sit down and have a filling meal. People who hate or cannot hold or handle money, i.e. physical expressions of energy, also fall into the shadow side of this archetype.
In my story, I will share an experience I had that connected me to my spirit and my sex after several years of severe anorexia. The framework will be fictional, but the experience will be my own.
Time for the deep dive once more...at least this time my husband has had some warning
The final story I have left to write is the Nun's, which for me is very personal. She is a woman who devotes her erotic energy in service to the divine. God is her lover. This can show up many ways, not just in the celibate renunciates we see in various religious institutions. She the part of ourselves that easily connects with Spirit and uses that orgasm for her creative expression.
Her shadow shows up when she denigrates all physical life and chooses only to chase the spiritual realms. We can see this in severe religious and cultural leaders who warn us to beware the "pleasures of the flesh." We can also see this in anorexics and certain "hippie" people who would rather "breathe in nourishment" than go sit down and have a filling meal. People who hate or cannot hold or handle money, i.e. physical expressions of energy, also fall into the shadow side of this archetype.
In my story, I will share an experience I had that connected me to my spirit and my sex after several years of severe anorexia. The framework will be fictional, but the experience will be my own.
Time for the deep dive once more...at least this time my husband has had some warning
Wednesday, February 5, 2014
First Page of "The Queen"
It's been a while since I've posted on this blog, mainly because the past few months I have been devoting my time to writing my book, From 6 to 9 and Beyond: Widening the Lens of Feminine Eroticism, and focusing less on articles. If you click on the link the title, you will also find an "Updates" page where I have blogging about the writing process. So be sure to head over there and check out all the good stuff I've been up to :)
However, I didn't want to neglect this page, so I am posting the first page from my story about "The Queen" archetype. You can find more on the book's website. Enjoy!
However, I didn't want to neglect this page, so I am posting the first page from my story about "The Queen" archetype. You can find more on the book's website. Enjoy!
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| Photo by Sequoia Emmanuelle |
Rani Jhadav
placed the edge of the chilled glass against her warm lips, tipped back her
head and slightly parted her mouth. Bright bubbles tickled the back of her
throat, while the dry, cherry flavor of the 2005 Cristal Rosé Brut washed over
her tongue. She closed her eyes. After the champagne had sufficiently slaked
her thirst, she set the flute back down on the cream and gold-colored cocktail
napkin. She glanced down at her Richard Mille 007 Rose Gold Watch, given to her
exactly one year ago for her 38th birthday.
“Twelve
twenty-eight,” she noted to herself, the hands pointing towards two small
diamonds representing the clock face’s twelve and the six.
She remembered
the e-mail verbatim:
Alley
Sit at the bar
12:30 SHARP
Wear a skirt
Xo, Ms. V
Rani recrossed
her legs, the smooth cushion of the suede barstool brushing against her bare,
mocha thighs. She hooked the left heel of her Louboutin black-and-crystal pump
on the bottom rung of her seat.
“Twelve
twenty-nine.”
Admiring
the artist’s penmanship, she softly fingered the paper “Reserved” sign that sat
three inches behind her glass. The R snaked under the word “reserved” in thick
calligraphy. A similar, yet scripturally unique, sign sat nine inches to her
left, saving the empty space next to her.
“Good
thing Ms. V had the foresight to reserve us a spot,” thought Rani, as she
glanced around the packed restaurant. Ever since the Gramercy Park bistro
opened a little over a year and a half ago, it had been the hot spot for New
York City’s wealthy and elite. It was a particular favorite of Rani’s since she
could count on it to “wow” her potential investors and business contacts. And
it was only two blocks from her Flatiron office.
Plus, she simply
adored the care and attention put into every detail of the place—the décor, the
cuisine, the wines, the gold-plated napkin rings and handwritten menus—all of
it represented simple, yet elegant tastes, while simultaneously fostering an
air of familiarity. Even now as she sat in plain sight, sliding her long
fingers up and down the stem of her flute, Rani couldn’t help but step inside
the intimacy of her experience. Nothing existed but supple flesh on firm glass.
No
sooner had she drifted off than she was startled back to the present by the
appearance of a stranger in the seat beside her. She quickly looked at her
watch.
“Twelve-thirty?
That was a minute?!” she thought, surprised at how quickly she had lost her
sense of temporal perception.
“Excuse
me, sir,” she said, “this seat’s reserved.”
“I
know,” he silkily replied, an impish smile curling around his mouth.
Wednesday, November 20, 2013
New Website Devoted to My Book, "From 6 to 9 and Beyond"
Hello all,
It is with great pleasure that I unveil my latest project, From 6 to 9 and Beyond: Widening the Lens of Feminine Eroticism." You may recall all those videos blogs I did in July and August, as well as the Indiegogo campaign I ran.
Well, as the book unfolds, I am posting excerpts from the stories and poetry and pictures! You can find them all at one place at the url below. Be sure to check back for more updates as the book unfolds!
http://www.from6to9andbeyond.com
It is with great pleasure that I unveil my latest project, From 6 to 9 and Beyond: Widening the Lens of Feminine Eroticism." You may recall all those videos blogs I did in July and August, as well as the Indiegogo campaign I ran.
Well, as the book unfolds, I am posting excerpts from the stories and poetry and pictures! You can find them all at one place at the url below. Be sure to check back for more updates as the book unfolds!
http://www.from6to9andbeyond.com
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| "From 6 to 9 and Beyond: The Virgin" Photo Credit: Sequoia Emmanuelle |
Wednesday, July 3, 2013
69 Vlogs. 69 Days. #15: The Queen Archetype
A true queen rules through the power of surrender, not through tyranny.
Saturday, July 23, 2011
Dropping the Fairy Tale: Good Girls vs. Good Women
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| Anne Hathaway from The Princess Diaries |
Once again it’s time for another one of those posts that explores the finer distinctions between two seemingly similar subjects (you may remember an earlier post of mine, What do you REALLY want: Desire vs. Craving).
Through the questions that arise in coaching sessions to observations made in nail salons to my own personal journey, I have discovered that we as women have a hard time letting go of the “good girl.” You know, the one all in pink who sat quietly in church, never tells a lie and is the apple of daddy’s eye? No, you don’t, because she doesn’t exist. As much as we try to be that “good girl,” our desire and orgasm sneak out in a lot of ways. It can leave us feeling exhausted doting on others and guilty in our inadequacy. Or perhaps we’ve rejected our desire for so long, we react in anger and blame those who “took advantage of us.”
In any case, we are grown now. Free women to choose what we want, whenever we want it…right? Well, not exactly. Our bodies may have matured, but the way that we interact with the world has changed very little from when we were 4 years old. In fact, we still live in a society that very much reinforces the notion of a high-class lady as being pre-pubescent thin, beautiful and, above all, very proper. Any other type of woman is troubled, too much, crazy, a slut, etc (you’d never see Prince William fight for the hand of someone like Lady Gaga, even if he were madly in love with her).
So I’ve come to set the record straight and help out my fellow ladies who are working on finding their voice and coming to their power. No, to break out of the “good girl” mold, you don’t have to become Lady Gaga (though I love that woman with every ounce of my being). But you will have to confront and let go of a lot of old ways of relating that kept you safe and comfortable in the past.
So, without further ado, I bring you the Top 10 ways of telling a “Good Girl” from a “Good Woman.”
1. A good girl runs from fear. A good woman embraces it.
A good girl doesn’t want to rock the boat. She’s afraid of hurting people, going outside the box…essentially she is afraid of life. A good woman doesn’t escape her fear, but she leans into it, because she knows her ultimate fulfillment comes from discovering the desire on the other side.
2. A good girl denies her hunger. A good woman relishes it.
“Oh, no thank you, I’m full.” “Oh I’ll just have the diet platter.” “I’ll skip dessert. I’m being good this week.” We’ve all heard the catchphrase of women still caught in “good girl” mentality. And we also know that women dieting are more likely than not having orgasms. And this doesn’t mean that a good woman is stuffing her face all the time and pigging out on cheetos and bon-bons. But a good woman slows down and knows herself well enough to choose what is nourishing and relish every bite…whether it’s the grilled fish and asparagus, or the double chocolate chip cake. She eats life to feed her soul, not to numb the sensation.
3. A good girl withholds. A good woman adjusts.
A good girl is going to tell her partner what she thinks he wants to hear, but in the process, she holds back a piece of her voice. That unspoken desire sits in her body and, over time, rots into shame and resentment. Over time, she will (consciously or unconsciously) do things to her partner to punish him…and ultimately herself. A good woman tells her partner the truth. She approves of him/her and learns to calibrate her words so she can be heard and received, while fully expressing what it is she wants. She adjusts her partner (and is desires to receive the same kind of attention and honesty in return).
4. A good girl receives with guilt. A good woman receives with grace.
Good girls may accept a gift, but there is always a string of “you shouldn’t have” or “that’s too much” or “you didn’t have to do this” that comes along with it. She has to knock herself down a few notches in order to make it acceptable to receive, lest she feel her hunger (and subsequent shame) that comes with receiving. A good woman says “thank you”. Just thank you. Because she knows she is worthy (without the insecure timbre of entitlement). She listens to her hunger, knows when she is full and pours out genuine gratitude.
5. A good girl does what looks right. A good woman does what feels right.
A good girl follows a tried-and-true structure that will elicit positive reinforcement from her partner and the people in her life. A good woman moves from an instinctual compass. While it may look messy from the outside, deep within her body, she knows it is the path for her.
6. A good girl stuffs her anger. A good woman alchemizes it.
Good girls don’t get angry. Bullshit. They just stuff it until it seeps out as passive aggressiveness. A good woman acknowledges her anger in the moment and feels into it so she can know where she is out of integrity in her life. From there, she can use the force of that anger as power to change course.
7. A good girl strives for perfection. A good woman lives in perfection.
A good girl lives her life seeking to perfect perceived “impurities” in her life, so she is never fully able to relax and drop into the present, lest someone catch a glimpse of her ugliness. A good woman sees every moment as perfect, with both it’s divinity and it’s humanity.
8. A good girl’s desire is frozen. A good woman’s desire is dynamic.
A good girl is bred to want the same thing every day and desire only so much as is socially acceptable. She has lost the connection to the freedom that comes with spontaneity. In fact, she will often deny that she wants the very thing that will give her the deepest satisfaction. A good woman’s desire ebbs and flows like the tide: small and humble in one moment, wild and tempestuous in the next. But it is always, always authentic and she is constantly seeking to expand her container to hold more.
9. A good girl submits. A good woman surrenders.
A good girl submits, relinquishing her power to perceived “authorities” in order to escape the clamoring cry of her orgasm. A good woman surrenders control to her orgasm, and thus holds her own amongst the truly powerful.
10. A good girl waits for the fairy tale. A good woman creates her own legacy.
A good girl is still trapped in a tower, like a virginal princess waiting in vain for Prince Charming to save her. Over time, she can turn jaded and bitter, a “victim” of the happily-ever-after story she bought. A good woman turns the key to the door, descends the tower staircase and, like a Queen, enters the vast terrain of her own pleasure. It is from this empowered place that she can choose the life she truly desires.
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